Studio XX Newsletter 45 - November 2008


Magdalena Abakanowicz, Abakan Red, 1969.
Courtesy of the National Museum, Wroclaw, Poland. Photo courtesy of Magdalena Abakanowicz.
With permission from the Vancouver Art Gallery's Wack! Art and the Feminist Revolution Exhibition.

Wired Women Salon #69
New Challenges for Intellectual Property Rights

Mayi-Eder Inchauspé

Wednesday, November 26 6:00 – 8 :00 PM
4001 Berri Street, Studio 200
metro Sherbrooke
info : 514-845-7934

Entrance: $5.00 includes beverages
Members: $2.00 including beverages

PLEASE NOTE THAT THIS CONFERENCE WILL BE IN FRENCH.

Studio XX is pleased to launch a new series of Mini-Conferences related to issues of our day.
Guest Speaker: Ms. Mayi-Eder Inchauspé, lawyer specializing in Canadian and French intellectual property issues.

In her presentation, Ms. Inchauspé will outline delicate issues currently surrounding intellectual property rights. It will first and foremost outline the philosophical bases of intellectual property rights and define the concepts behind the following basic terms: artwork, author, commercial rights, Copywright and Copyleft, intellectual property, pubic domain and Creative Commons licenses.

Mayi-Eder will draft a picture of copyrights (or intellectual property). She will do a brief historical survey, clear up terminology and define concepts behind these terms: artwork, cession and licences, copyright, copyleft, intellectual right property rigths, public domain, Creative Commons licences, etc.

The underlying philosophy of Open Source introduced a new way of thinking, in counterpoint to established practices. This new context puts into question intellectual property rights.

A deeper understanding of intellectual property rights is the goal of this conference. Ms. Inchauspé will offer a session allowing artists and people generally interested by this topic to better understand and grasp the issues surrounding intellectual property rights.

Biography : Mayi-Eder Inchauspé

Member of the Quebec Bar since 2001, Mayi-Eder Inchauspé studied law at The University of Montreal and The University of Poitiers (France) where she specialised in intellectual property. Her research focused on the juridical aspect on online transmission of artworks. She then joined CECOJI (Centre d'études sur la coopération juridique internationale) au Centre national de recherche scientifique (CNRS) in France where she explored juridical issues of copyright and culture. She also participated in the drafting of the Canadian section of a dictionary of copyrights. Back in Montreal, Mayi-Eder Inchauspé is now a consultant in the cultural sector. 

Studio XX takes up Residency with W2 / Fearless City Mobile in Vancouver

After a rich journey through the Maritimes, Studio XX’s TransCanada Pipeline Project moves west to Vancouver to undertake a Residency with W2 / Fearless City Mobile programme in association with DTES Community Arts NetworkMobile Muse 3 and the Vancouver Art Gallery's FUSE.

beewoo


From November 20-28, media artist and Studio XX ProductionDirector Bérengère Marin Dubuard (Beewoo) with collaborate with five women  - a mix of community workers, media artists/non-media artists and Downtown Eastside residents – to undertake an intensive residency exploring exploring  the repurposing of interactive & mobile networks.

The culmination of this residency will be performed at Vancouver Art Gallery's FUSE event on Friday, November 28th from 6:00 PM -1:00 am  streamed on live screens featuring a multichannel montage of mobile video, digital images, and mms text.

Photo : Bérengère Marin Dubuard (Beewoo)

Participants will also explore and present their favourite artworks (as educators) from Studio XX’s Matricules archive concluding with Beewoo’s complete presentation of Matricules: the world’s largest online archive of women’s digital artworks, on Wednesday, November 26th @ 7 pm at the Vancouver Art Gallery’s “Heritage Courtroom”

FUSEThese endeavours will celebrate, critique and provides audiences with a chance to comment on the breathtaking Wack! Art and the Feminist Revolution Exhibition and FUSE performances. A VJ will remix live mobile video and images shot by Fearless City Mobile, with mms text sent by the audience.

Helena Almeida, Pintura habitada, 1975 (detail)W2 / Fearless Mobile and Studio XX’s collaboration offers women a hands-on opportunity to experiment with open source multimedia software, Web tools, real-time video processing, and VJ performance.

Studio XX thanks W2 / Fearless’ amazing team:  Irwin Oostindie, Amy Kazymerchyk and Brady Marks.

Helena Almeida Pintura habitada, 1975 (detail),
Collection of Vitor José Magalhães Assunção, Lisbon; Banco Privado Português, S.A., Lisbon; Américo Marques dos Santos’ Maria João Salgado; Serralves Foundation, Porto, Portugal; and Miguel Tavares. 
With permission from the Vancouver Art Gallery's Wack! Art and the Feminist Revolution Exhibition

TransCanada Pipeline Project Blog 

Projet Pipeline TransCanadienFollow and interact with Studio XX online as it tours the country by checking out photos, video clips and postings on Pipeline’s blog.
Add in your own impressions and commentaries! www.studioxx.org/pipeline



URBANINK

"Introduction to Interactive Screenwriting” Presentation by Marc Roberge

Marc Roberge, Photo : http://www.sartec.qc.ca/Marc Roberge, screenwriter, and professor of interactive screenwriting at INIS, will offer  a presentation entitled Introduction to Interactive Screenwriting in the context of our Digital Ludology Workshop.

Saturday, December 6 from 1:30 to 4:30 PM
At Studio XX, 4001 Berri Street, Studio 201
metro Sherbrooke

Only 5 spots available!

$ 20 for members
$ 45 for non-members

RSVP by phone at 514-845-0289


Marc Roberge has written scripts for numerous TV series (youth, documentary, drama) for over 10 years. In addition to writing for television and film, Marc Roberge co-wrote and co-produced the interactive site of scientific vulgarization "The Mission, a great scientific adventure!" produced by the National Film Board of Canada. This website has been widely recognized for the excellence of its content.

Roberge holds the post of interactive screenwriter for CREO since 2005, where he has conceived of and developed many serious games (Sayansi, Mission : Rescapé, M.A.R.S) combining playful navigation with contents of encyclopedic proportions. For the past 5 years, Roberge has being teaching interactive screenwriting in the Interactive Media Programme at INIS. He also sits on the board of directors of SARTEC and enjoys the occasional storytelling event or festival.

 

"Introduction to Interactive Screenwriting” Presentation

The "Introduction to Interactive Screenwriting” workshop provides an overview of the main stages of creating a multimedia script. The presentation will consist of highlighting, through various concrete examples, the necessary steps required to create a successful interactive script.

To view the full course outline of Introduction to Interactive Screenwriting: here

Artist in Residence at Studio XX: Helena Martin Franco

Montreal-based, Colombian-born artist Helena Martin Franco opens our season with her project entitled "Laberinto: The Visit" where her character, Heart, is put on stage in a series of cyber-performances.  Her residency will allow her to put in place several "comunication" elements into this project.

Dates: October 27 to December 19, 2008.  Montreal.

© Helena Martin Franco"Laberinto: The Visit" is comprised of two components.  The first component consists of undertaking several cyber-performances structured as miraculous appearances of Heart Divided.  These performances will be streamed online from a blog.  The properties of this interface will facilitate participation through comments, images and videos.

In conjunction with the cyber-performances, the second phase of thei Web project consists of creating fictitious apparitions of Out Of Phase Heart in different public spaces in Montreal.


Helena Martin Franco was born in Cartagena in Colombia. She received her B.A. is visual arts at the Universidad Nacional de Bogota and is currently completing her Masters in Visual and Media Arts at the Université du Québec à Montréal.  Her interdisciplinary practice explores photography, video, performance, paint and ceramic.  She has taught visual arts at several colombian universities and is actively involved in community organizations dedicated to popular education and art dissemination.  Her work has has been presented in New Zealand, Colombia, United States at artist-run centres across Quebec.  She currently lives and works in Montreal.

Electronic Journal .dpi no 13 is now online!

© Leila Sujir, Tulipomania, Interactive Video and Sound Installation, 2006

Our new edition entitled Documenting Art and Archives… and What we Choose to Leave Out was launched at DOCAM’s fourth International Summit on Thursday, October 30.

This edition of .dpi focuses on the complex and troublesome relationship between art and the archival process in contemporary society. New technologies are resulting in a proliferation of artistic “documents;” in what way can art be used to archive society? How can that art itself be archived? To what extent can art document itself?

Guest Editor-in-Chief: Émilie Houssa

Click here to read dpi : http://dpi.studioxx.org/



+ .dpi at the "Journées d'études des revues culturelles du Québec"

dpi the Studio XX Webmagazine  (dpi.studioxx.org) will take part in the Journées d'études des revues culturelles du Québec focusing on the theme of : CITÉ À COMPARAÎTRE, la revue face à elle-même.

Over 22 cultural magazines will be present.

The event is open to the public, on Thursday 27 and Friday November 28
Studio XX's presentation will take place on Thursday at 11h15 am

Bibliothèque et Archives nationales du Québec,
Édifice Gilles-Hocquart,
535 avenue Viger Est.
Montreal (Metro Berri-UQAM).

Information : Marie-Claude Primeau · 514-343-736

To know more about the content and schedule of the round tables, please visit: 
http://www.crilcq.org/colloques/2008/revues_culturelles.asp

logo .dpi ++ Call for Papers .dpi #14 and #15

Electronic Journal .dpi #14 : The Act of Documenting Digital Artworks and New Conservation Techniques
Guest Editor-in-Chief : Chantal Dumas

Date(s) of publication: Thursday, February 26th
Deadline for abstract + bio :January 7th 2009
Deadline for completed submissions: January 26th 2009

This issue will explore different methods and techniques which are currently being studied and put in place alongside necessary practices utilized to resolve problems related to the preservation of artworks. The perspectives of DOCAM and NT2 (see next event) will be discussed. Royalties and intellectual property issues will also be addressed.


Electronic Journal .dpi #15 : Web 2.0 : Artistic Creations and Personal Archives
Guest Editor-in-Chief : Paule Mackrous

Date(s) of publication : Thursday, June 11
Deadline for abstract + bio : April 20th 2009
Deadline for completed submissions: May 11th 2009

The aim of this issue is to solicit and publish papers that provide views on Web 2.0's effects on the notion of archive. The development of the Web 2.0 technologies generates a wider accessibility of what we could call “user friendly” interfaces (i.e. YouTube, formatted blogs, My Space, Facebook, Second Life). Interestingly, these interfaces do not require the knowledge of computer programming; thereby, they allow for a greater part of the population to use Internet as a mean to broadcast their own information. They also allow the stocking of an important quantity of pictures, texts, videos and sound materials thus stimulating the creation of personal archives. Some artists seep in the network using one of these interfaces to generate identity fictions. While borrowing these pre-established interfaces to create a numerical character - often without the netsurfers knowing -, these artistic projects question the boundaries between fiction and reality in the World Wide Web productions. The experience of micro-narratives and mini-archives corpus thus generates several questions: Can a set of individual archives constitute a collective archive? How do these pre-formatted interfaces modify our archiving conception? How does the fiction interact with the facts in the archive’s constitution?

We seek contributions which expand on the above themes.

Submissions may be up to 2000 words.
A 50-word abstract is required.
Please also submit a 100-word biographic blurb.

Please send us any intention of contributing.
Deadline for completed submissions: see each topics
A $150 honorarium will be offered for selected texts.

Please send your submissions to info at dpi.studioxx.org 

jesuisfeministe.com blog

Image from the website

Supported by the famous magazine La vie en Rose and StudioXX,jesuisfeministe.com, a blog of young feminists from the province of Québec, has just been launched (October 2008). This project of electronic correspondences is born from the motivation to break the isolation of young French speaking feminists, to give them a place where they can express themselves freely, furiously and joyfully.

Editors-in-Chief and Producers

Marianne Prairie

Bachelière en communication, profil Multimédia interactif, Marianne découvre sa vocation féministe à l’université où elle constate une absence marquée des femmes dans les nouvelles technologies. Conjointement avec le département d’histoire de l’Art, elle effectue une recherche sur le cyberféminisme. Marianne est également une des membres fondatrices du quintette artistique et humoristique Les Moquettes Coquettes qui sévit à la radio, sur les planches et sur le web depuis 2004.

Isabelle N. Miron

Le parcours d’études éclaté d’Isabelle l’a menée des sciences politiques aux études féministes, pour finir en gestion de projet et ce, dans trois universités québécoises différentes ! Travailleuse et militante du milieu communautaire, elle a participé à des projets de rédaction sur la place des femmes en politique ou l’Histoire des femmes expliquée aux jeunes. Elle a participé au projet du « Blogue des 5 » et a brièvement blogué sous le nom de « féministe frisée ». Elle aspire à devenir gestionnaire tout en se demandant comment conjuguer « boss » au féminin.

Become an XX member !

member logo

Regular Membership $30,00
Community Membership* $50,00
Supporting Member $100,00 or more
* Reserved for non-profit organizations. All community memberships include 3 regular memberships.

Membership offers many advantages:
- Small workshops in a friendly and supportive environment
- Technical assistance
- Customized courses
- Open access to the computer Lab
- Free admission to all Wired Women Salons and to the HTMlles Festival
- Newsletter informing you of all of our other activities and preferred information regarding equipment sales.
- Member-only equipment discounts
- Right to vote at our Annual General Assembly

To become Member of Studio XX: Download (PDF file), print and fill out the registration form and send it along with your cheque made to the order of Studio XX. You will receive your membership card and become a part of an amazing community!




STUDIO XX  STUDIO XX

4001 Berri Street, Suite 201 . Montréal .Québec . H2L 4H2 . Tel: 514-845-7934
http://www.studioxx.org Information: info@studioxx.org

Founded in 1996, Studio XX is Montreal's foremost feminist digital resource centre. Through a variety of creative activities and initiatives, the Studio works with women to demystify digital technologies, critically examining their social aspects, facilitating women's access to technology and creating and exhibiting women's digital art.

Studio XX thanks its members and Partners for their generous support: The Canada Council for the Arts, The Conseil des arts et des lettres du Québec, Canadian Heritage, the Conseil des arts de Montréal, The City of Montréal, Emploi Québec and The Conseil québécois des ressources humaines en culture.


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