Studio XX bulletin 12 - April 2004

Contents:
(click on the arrows to go directly to each section)

>> GET CONNECTED TO THE STUDIO XX NETWORK
>> HTML/Dreamweaver Workshop starting Saturday May 8
>> Studio XX announces the much-awaited return of the MÉTA FEMMES BR@NCHÉES Arriving this Spring, directly from SOUTH AFRICA and from NEW YORK
>> Cyberfeminism Takes Montreal! : Friday April 29


 

>> GET CONNECTED TO THE STUDIO XX NETWORK

Don’t make plans for May 20 to 22 because Studio XX is hosting three days + nights to satisfy your art and tech (c)ravings.

May 20th marks the official opening of Studio XX’s new Linux lab and in the evening at Local 7154 St-Urbain the world premiere of New York / Colombian multimedia artist MONICA PRABA PILAR’s performance "Computers Are A Girl's Best Friend". The following day, the PRABatelier – the interactive seminar TechnoMythologius - is a rare opportunity to work in a small group setting with this internationally renowned artist and activist. Registration required: ateliers@studioxx.org, (514) 845-7934.

On May 22nd it’s time to kick out the jams and party as Studio XX invites Montreal’s best new media artists to take centre-stage at the Cabaret techno at Quartier Éphémère in Old Montreal. Come and experience performances by Nathalie Derôme, Alexis O’Hara, kondition pluriel, Lesbians on Ecstasy ‘unplugged’, Julie Méalin, Monica Praba Pilar, WWKA, and Zazalie Z. Followed by all-night dancing and merrymaking - groove to the mood created by DJ Cyan and Lynne Trépanier accompanied by VJ's bee woo and Michelle Kasprzak. Tickets: $12 in advance, $15 at the door.

Don’t miss out, benefit from Studio XX’s three-day fundraising event and help build a bigger and better Studio XX.

We need volunteers

If you can volunteer to help in advance or during events, please contact Christine Redfern at (514) 845-7934 or christine@studioxx.org. Thanks! And see you soon.

 

>> HTML/Dreamweaver Workshop
starting Saturday May 8

This workshop is the first step in learning how to build a website. It takes place Saturday mornings from 10h-13h for 6 weeks, a total of 18 hours for $225 (plus $20 membership fee).
Information: Deborah Van Slet,
ateliers@studioxx.org
or 514 .845 .0289.


>> Studio XX announces the much-awaited return of the MÉTA FEMMES BR@NCHÉES Arriving this spring, directly from SOUTH AFRICA and from NEW YORK...

«1 KATHRYN SMITH
Artist, curator and author from Johannesburg, Kathryn Smith engages with technology from a perspective that's both political and philosophical. Her work combines video, found footage, text and photography. With the artists, writers and curators Marcus Neustetter and Stephen Hobbs, Kathryn completes the Trinity Session, an independent contemporary arts production team. Assuming the form and economy of a flexible socially-engaged consultancy, they produce public art projects, curated exhibitions, video screenings, research and critical writing. Their work focusses particularly on urban development, criticism, technology and the body, and new media art.

http://onair.co.za/thetrinitysession/directorsks.htm
http://www.artthrob.co.za/03dec/artbio.html


:: 29.04.04 5:30PM :: Artist Presentation
Media Urbanscapes: excess/access and development
at La Centrale 460, Sainte-Catherine Street Ouest #506, Montréal

During her presentation, Kathryn Smith will discuss the Trinity Session's research into the confluence of public space and digital culture, placing an emphasis on the creative interventions of powerless groups faced with an acute shortage of technological resources. Drawing on her experiences in Johannesburg, South Africa, where the juxtaposition of extreme 1st and 3rd-World conditions is particularly apparent, Kathryn will encourage participants to reflect on the different ways that rich and poor segments of society relate to technology.

Free for members / $4 for non-members

:: 01.05.04 9:30 -5PM :: Interactive Seminar
Media Urbanscapes: Lo-Tech Resolutions
at Studio XX 338, Terrasse Saint-Denis, Montréal

In this experimental workshop, Kathryn Smith will elaborate on the reflections undertaken during her presentation. With a socio-political and feminist regard, she'll examine the dynamics of technology in South Africa and on the African continent in general. Participants will be invited to work in small groups to conceptualise the cityscape using a variety of technological resources at their disposal. Emphasis will be placed on using accessible, "lo-tech" means of communication.

BONUS! : the activity will take place on the rooftop of the building where Studio XX is located; participants will be inspired by an unmatched view of the mediatised island on which they live!

The first seminar speaks to artists, activists, critics and all those who feel particularly engaged by the concepts:

• digital divide
• technology and the third world
• gender issues
• creative industries
• transforming societies
• urban spaces under construction

$20 members/ $30 non-members


« 2 MONICA PRABA PILAR

A New York/Colombian multidisciplinary artist, Praba Pilar has worked on multiple projects in the public sphere through public art, site installations, performances, and websites. Her background in community work and political activism establishes the platform from which she artistically confronts the conflict between humanitarian, political and economic motivations. In 1999, Praba expanded the scope of her investigation to encompass information technologies. She has worked to increase dialogue around issues of race, sex and class, and of access to content production on the World Wide Web. Notably, she founded Artactivist.com, a website that serves as a vehicle for dialogue between various artist and activist groups around the country and around the world.

http://www.prabapilar.com

:: 20.05.04 7PM :: WORLD PREMIERE of the performance
Computers Are a Girl’s Best Friend
at The Local 7154, Saint-Urbain Montréal (corner of Jean-Talon)

Appropriating De Beers Diamond Company's marketing strategy of producing the 1953 musical Gentlemen Prefer Blondes, with its theme song "Diamonds Are A Girl's Best Friend," Praba Pilar transposes the lyrics and dance routine to a new hit. Computers Are A Girl’s Best Friend is an exploration of the contradictions that exist between the hyperbolic rhetoric of the computer industry and the dreadfully real effects on the lives of women. This piece will counter the sexiness of the computer industry by disrobing the truth of the exportation of toxic electronic waste to Asia, the trafficking of women online, the globalization of maternal love, telesexuality, Real Dolls and other extraordinary effects of the computer revolution on the female subject. The musical comedy will feature ribald musical theater interspersed with monologues, audio of interviews with cyber-theorists Anne Balsamo and Paulina Boorsook, and video montages.

$3 members/ $5 non-members


:: 21.05.04 9:30—5PM :: TechnoMythologius Interactive Seminar
at The Local7154, Saint-Urbain, Montréal (corner of Jean-Talon)

The day will be launched by a special ceremony: the Techno Santeros Mass.
Inspired by her experience of artistic interventions with the collectives Los Cybrids and The Hexterminators, Praba Pilar will facilitate critical debate on the evolution of ubiquitous computerisation, of wireless communication and of the surveillance society.
Participants will be encouraged to work collectively to develop strategies that all class and ethic groups could use to combat the centralisation of surveillance techniques via computer networks.

Los Cybrids: La Raza Techno-Critica is a junta of three poly-ethnic cultural diggers of the Latino sort dedicated to the critique of cyber-cultural negotiation via techno-artistico activity. Los Cybrids ascribe to the increasingly widening liminal spaces of culture, hybridity and decentred identities reinforced by the new electronic technologies.

http://www.prabapilar.com/pages/projects/cybrids.html


The Hexterminators: SuperHeroes of the Genetix Devolution is a group of artists, activists and scientists who have done multiple collaborative installations, performances, panel discussions and university lectures that explore the economic and environmental impacts of biotechnology on so-called "ethnic communities" around the world.

http://www.prabapilar.com/pages/projects/biolife1.html


This experimental workshop is particularly appropriate for artists, activists and anybody interested in performance.


$20 members / $30 non-members


Everyone is welcome to attend these activities.

The presentations and workshops will be conducted in English.
Translation will be available by request.

For each of the interactive seminars of the MÉTA FEMMES BR@NCHÉES,
15 to 20 seats will be available by reservation:

ateliers@studioxx.org
514.845.0289

In order for the artists to adequately prepare, participants are asked to submit a few lines about themselves (short bio or resume) indicating what issues they want most to explore during their MÉTA FEMMES BR@NCHÉES workshops.

 

 

>> Cyberfeminism Takes Montreal! : Friday April 29

An International Conference:

Gender, Embodiment, Subjectivity, and the Transformation of Cinematic Practice in Contemporary New Media Art: Exploring the Interactive Work of Char Davies, Toni Dove, and Zoe Beloff

Organiser
LIVIA MONNET, University of Montreal

Focusing on the interactive work of three celebrated artists, Char Davies, Zoe Beloff and Toni Dove, this workshop explores the richness, diversity and conceptual challenge of contemporary new media art by women. The morning session features presentations by Davies, Beloff and Dove themselves as well as video screenings of their recent installations and work-in-progress. The afternoon session features papers by Canadian and American scholars, critics and curators of new media art which contextualize, and propose in-depth readings the work of Davies, Beloff and Dove, as well as of other contemporary new media artists. The issues examined in these presentations include the reinvention of the history, techniques, and “optical unconscious” of cinema and animation; philosophies of embodiment in virtual space and of the embodied interface; haptic aesthetics, the performativity of affect and the voice in virtual environments and interactive cinema; feminist revisionist rewritings of classical psychoanalysis, and of the discourse of spiritualism in the late nineteenth, and early twentieth-century; and finally the role of genre fiction and the uncanny in the digital arts.


April 29, 2004
8:30am - 5:30pm
3150 Jean Brillant Bldg.
Room B-0325
University of Montreal
Subway Côte-des-Neiges


http://cri.histart.umontreal.ca/cri/fr/event.asp?eventid=1841431590